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Slouching Towards Bethlehem, by Joan Didion
Ebook Slouching Towards Bethlehem, by Joan Didion
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Audie Award Nominee, Short Stories/Collections, 2013
Universally acclaimed from the time it was first published in 1968, Slouching Towards Bethlehem has been admired for decades as a stylistic masterpiece. Academy Award-winning actress Diane Keaton (Annie Hall, The Family Stone) performs these classic essays, including the title piece, which will transport the listener back to a unique time and place: the Haight-Ashbury district of San Francisco during the neighborhood's heyday as a countercultural center.
This is Joan Didion's first work of nonfiction, offering an incisive look at the mood of 1960s America and providing an essential portrait of the Californian counterculture. She explores the influences of John Wayne and Howard Hughes, and offers ruminations on the nature of good and evil in a Death Valley motel room. Taking its title from W.B. Yeats' poem "The Second Coming", the essays in Slouching Towards Bethlehem all reflect, in one way or another, that "the center cannot hold."
- Sales Rank: #8609 in Audible
- Published on: 2012-09-04
- Format: Unabridged
- Original language: English
- Running time: 417 minutes
Most helpful customer reviews
77 of 82 people found the following review helpful.
excellent example of the essay form
By J. Jacobs
Didion's collection of essays was recommended to me by writing instructors as an example of excellent essay writing. I found it to be just that. In the first third, she writes a series of remarkable essays about California in the late 1960s. The middle third contains personal essays. And the book finishes with a collection of essays about different places she's been - New York, Hartford, Hawaii, Sacramento.
What makes her writing most impressive is her masterful presentation of portraits, inserting herself just occasionally to remind the reader of who the photographer was, to inject humanity. She does an excellent job combining place and character and shows that long sentences can work. This book is useful both an as example to those who aspire to writing better essays and as a memorable voice from the 1960s.
77 of 83 people found the following review helpful.
A period piece, but some of it is classic
By R. Walker
Decades after the fact, this collection of essays is a bit of a period piece, but some of it holds up quite well. The subject of the famous title story -- which first appeared in The Saturday Evening Post in 1967 -- is about the Haight Street scene and, more to the point, the breakdown of human connection that Didion believed that scene represented. She is similarly gloomy about New York in "Goodbye to All That," and about California in "Some Dreamers of the Golden Dream." Though she was in her late 20s and early 30s when she wrote this material, she clearly saw much of what was going on in the 1960s as the activities of a different generation from her own. In any case it's these pieces, along with one about John Wayne, that stand out here, and remain, after all these years, pretty close to extraordinary. Some of the other material (a piece about Joan Baez, etc.) is less memorable. I bought this in the hardback Modern Library edition with a useless introductory essay by Elizabeth Hardwick (but a great photo of Didion on the front cover). Should've gone with paper.
59 of 67 people found the following review helpful.
American Anomie
By bibliomane01
This classic 1968 work is justly renowned as Joan Didion's finest collection of essays. Its central theme - and the theme behind much of what Didion writes - is the atomisation of American culture, the way in which things have fallen apart and left millions adrift from the cultural and ethical moorings that their ancestors took for granted. 33 years later, it is ironic to look back on the period that the writer depicts with such grim pathos when it is celebrated as a time of idealism and freedom by the survivors of the sixties. Many pieces in the first and third sections of the book ("Lifestyles in the Golden Land" and "Seven Places of the Mind") seem rather dated; the piece which made the most impression on this reviewer was the least ambitious of the group; to me, the portrait of Comrade Laski of the CPUSA-ML is a tiny masterpiece of irony. The pieces from the second section ("Personals")were much more enjoyable, especially "On Keeping a Notebook" and "On Self-Respect." Overall, "Slouching Towards Bethlehem" is more memorable for the author's endearing prose style than for the individual essays.
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